Slipknot - "The Virus of Life" drum cover by Allan Heppner
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So this one is pretty straight forward as well. Any flubs are minor (flam a part, missing the first part of a missing trying to remember it, etc). Grimey tune :p. I also tried to refrain from overcompensating for any overdubs/layering just to keep it clean and consistent, like not playing some of the marching snare that comes in periodically. When covering Slipknot, it's kinda up to you whether or not you want to compensate for the 2 other percussionists. That goes double so if there are Joey overdubs. Oh, and there's the part from 3:28-3:35 where I'm heavy accenting the kick and hitting left floor tom with the meat of my hand and the butt of the stick. The kick on the recording sounded huge on that single hit, so I thought I'd try that as a way to match it. Anyways, that's pretty much it for this album! Just a short and sweet part next!
Thanks for watching! Have a good'r!
Copyright notice:
This is a Drum Cover of The Virus Of Life from Slipknot's Vol.3: (The Subliminal Verses) album (2004) and is the copyrighted property of its owner(s) (WMG, Slipknot, etc). Video footage is my own.
GEAR IN THIS VIDEO
DRUMS:
Tama Starclassic Performer Birch and Performer B/B
22"x18" kick
14"X5.5" snare
10x8", 12x10" toms
16"x16" floor
13x11" tom
16x16" CB Drums floor on left
CYMBALS:
Sabian unless noted otherwise (L-R)
19" AA Holy China
14" AAX X-Plosion Hats
10" Istanbul Mehmet SESSION splash
19" AAX X-Plosion Crash
20" Nuvader Ride
20" Xs20 Rock Ride
14" WUHAN China
10" Xs20 Splash
20" HHX X-Plosion Crash
SKINS:
Evans
Kick Drum: EQ3 clear on batter, EQ3 black reso
Snare: Hybrid on batter, 300 on snare side
Toms: EC2S Clear on batter, stock G1 clear on all resos
STICKS:
Los Cabos 5B hickory
ProMark TX5BW -- Hickory 5B wood tip
VARIOUS HARDWARE
Iron Cobra pedals
Shot on Canon Rebel t4i
Filmed and edited by Allan Heppner
Recorded, engineered, and mixed by Gary Carter (big thanks!)
http://www.kithop.ca/
http://twitter.com/kithop
Audio was recorded in our rehearsal space direct into a Behringer X32 digital mixer and into ProTools and monitored
through a headphone pre-amp with Beyerdynamic DT100 headphones. No editing. Mixed in ProTools. The following
mics were used:
- Apex325 on kick
- Apex326 on all tom batters & snare top
- Shure Beta 57A on snare bottom
- Apex180 pencil condensers for overheads