An exceptional composition by Wilhelm Friedemann Bach, embodying transcendence not only in the way Bach treats the genre of the polonaise (whereby dance elements almost disappear behind aria, recitative, and fantasia-like sections), but also in its highly expressive and harmonically adventurous content that, true to the spirit of Empfindsamkeit (referred to in English as the sensitive style), already prefigures 19th-century Romanticism--and, in many respects, is even more Romantic than 19th-century music.
Wilhelm Friedemann Bach: Polonaise No. 8 in e minor (from 12 Polonaises, F. 12). John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz.