Friedman low Master volume test using Two Notes Captor attenuation

Test comparing the tone of Friedman Dirty Shirley Mini in high Master Volume connected in the Two Notes Captor attenuator (-20dB) and without it, in low Master Volume. What you will hear: I recorded 3 demos and in each of them there are 2 sequences for comparison. - First sequence I used the attenuator output of Two Notes Captor (-20dB) and compared it to the tone of the amp without the captor. After removing the Captor I had to turn down the Master to get the same volume as in attenuation. But decreasing the Master knob you will hear less gain and less treble in overall tone. - Second Sequence I used the attenuator output of Two Notes Captor (-20dB) and compared it to the tone of the amp without the captor but changed some adjustments in the amp settings to try to compensate the lack of gain and treble in low Master. All playing were recorded using loop pedal to get same execution. Settings with Two Notes Captor: Master: 6 Gain: 5 Bass: 5 Middle: 10 Treble: 7 Settings without Two Notes Captor (and no Gain/EQ compensated): Master: 1 Gain: 5 Bass: 5 Middle: 10 Treble: 7 Settings without Two Notes Captor + Gain/EQ compensated to get closer to Two Notes tone: Master: 1 Gain: 7 Bass: 5 Middle: 10 Treble: 9 Gear: Les Paul Ditto Looper Isobox (1x12") Celestion Creamback 75 Shure SM57 AKG P170 Reaper (+ Reverb)