У вашего броузера проблема в совместимости с HTML5
This video essay by Cristina Álvarez López and Adrian Martin explores how an early scene in Jean-Luc Godard's "Contempt" encapsulates the feeling that the film sits nervously astride two eras: the classical and the modernist.
For the introductory text visit the Notebook http://mubi.io/2zp1h9y.
For Study Purposes Only.